Pdf of Merton Songs 41 and composition re The Decameron 50 and page 9 Psalm 90 before making the way to Diablo Valley College, rendezvousing with the Theoreticians for short videos and Dictation / Keyboard-Solfege / Board Harmony on Scott Joplin's The Entertainer, plus Whole Tone Scales in C and Db; Gb and F# Major; and Bb and Eb Minor.
Linger in the lab all afternoon (first time seemingly since towards the beginning of last semester) to lay the groundwork for recording Symphony No. 3 ("Recycled"): I with the Tritone Orchestra (bottom line seems to be that while Garrishtone has better individual instruments, particularly for chamber music, the old standby allows for consistent control of mix), breaking with Doug briefly for coffee.
Onward
to
Emeryville,
over
the
Bay
Bridge
to
San
Francisco's
Mission
District,
Stage Werx, and the
Goat Hall Productions
return-performance of
Kurt Weill's
Threepenny Opera: another fine show before a supportive audience, with Zoltan DiBartolo (Mac the Knife), Mark Alburger (Mr. Peachum), Harriet March Page (Mrs. Peachum),
Sibel Demirmen (Polly Peachum), Nathan Tucker (Tiger Brown),
Michelle Jasso (Jenny Diver, Lucy Brown), and Allison Lovejoy (Piano) -- in scenes and songs including
"Married?!",
Barbara Song,
Melodrama,
"Kiss me, Polly",
"And he will never return,"
Nice While It Lasted,
Ballad of Sexual Dependency,
"You'll get 10 shillings,"
Pirate Jenny,
"I loved most of all,"
Tango
Ballad,
"You
Beast!",
"I only want to become an honest woman,"
"Oh, the trollop!",
Jealousy
Duet,
"Shitpot!",
Call from the Grave,
"Never forget me,"
In Which Macheath Begs for Forgiveness,
"Stop!",
"Reprieved," and
"I am so happy!"
Indeed!
Home late.
And, in just one day, 6 more megabytes used -- now at 105 MB (10.28%) of the 1024 -- still with more than a month to spare...
