G Major - One sharp (#) - place on top line before scale
G A B C D E F# G
G Mixolydian - all white notes
G A B C D E F G
G Dorian - One flat (b) - place on middle line before scale
G A Bb C D E F G
G Minor - Two flats - first as above, second in top space
G A Bb C D Eb F G
Subclassifications of Instruments
Winds
End Blown (flute)
Double Reed (oboe, bassoon)
Single Reed (clarinet, sax)
Lip Buzz (trumpet, trombone)
Solid-Body
Metal
Wood
Other (earth, glass, stone)
String
Suspended (harp, lyre)
Box (piano, zither)
Neck (violin, guitar)
Listening:
[8170] France - Ductia
[8170] Perotin - Hec Dies (This Is the Day)
[8210] Thomas of Celano - Dies Irae (Day of Wrath)
[8220] Ars Antiqua Motet - Alle Psallite ("Alle" Sing It)
[8270] Italy - Trotto (Trot Dance)
[8300] Guillaume de Machaut - La Messe de Nostre Dame: I. Kyrie (Notre Dame Mass)
Medieval Music I in the Literature class, looking ahead as the board above.
The day starts with pdf of Missa California: Credo (8) and
the
sunny
commute,
adjacent
to fog
o'erhanging the
Sulfur Springs,
then beyond to Diablo.
After Theory (review of Week 3, with Dictation / Board Harmony on Conrad Paumann's Mit Ganczem Willen and entertaining student compositions),
reverse
course
up
680
and
80
for
an afternoon of detail-editing (Triple Concerto: III, page 36, and finishing that of Decameron - Second Day: V, pages 25-27) and paper grading,
returning in the
spendiforous evening
light for the night class.
Late
hours given over to two more composed pages (23-24) of The Decameron - Second Day: VII. The Soldan of Babylon's Daughter Falls into the Hands of Nine Men.
