Pdf Missa California: Credo (6),
followed
by
the
late-morning
Diablo Dance to Week 4 of Music Theory (including a notion of class being rescheduled to...hmm...9:30am next semester), with Dictation / Keyboard-Solfege / Board Harmony on Thomas of Celano's Dies Irae, with a spin on G Modes (Major / Mixolydian / Dorian / Minor), intervals of the 6th and 7th, and imaginative student compositions featuring stacked chords.
A circuit to
various financial
and
(after
the
mostly-scenic
680
corridor
return
commute)
comestible institutions, then detail-edits of Triple Concerto: III (34) and The Decameron - Second Day: V (21-22), dinner with Harriet and
The Unforgiven (1960, with a score by Dmitri Tiomkin featuring yet another usage of the Dies Irae).
Very late: another 21st-Century Music update and composition re four more pages of The Decameron - Second Day: VII. The Soldan of Babylon's Daughter... now through 20.
